What more do you need? The next thing you know, a long row of weirdo killers are walking toward a military plane in slow-motion and waiting to be dropped onto the beach of a fictional Central American country named Corto Maltese (an evocatively performed role that’s split between Panama and Pinewood Studios). “Welcome to anything,” Waller replies.Īnd that’s it. “I’d do anything to get out of this hellhole,” carps one of the inmates. Once again the action begins inside Belle Reve prison, where ruthless fed Amanda Waller (Viola Davis) uses the local population as her personal draft pool from which to recruit black ops teams of supervillains in order to do the dirty work that America’s government would rather deny. ![]() Most of these movies tend to start with a mess of unrelated mishegoss before the main story kicks into gear, but “The Suicide Squad” ambles out of the gate with the confidence of a movie that’s totally comfortable in its own skin (even if that skin is a technicolor patchwork of glowing polka-dot-like tumors). But we’ll get there.įirst we have a premise to set up and a team to build, and Gunn’s script leverages - and subverts - genre expectations on both fronts. Sometimes the difference between a strike-out and a home run is just a slightly harder swing at the ball and some help from a giant alien starfish who grows bigger each time one of the vile flying pods it excretes from its body face-hugs a new victim and indoctrinates them into the hivemind (or hive… central nervous system). And while the tone of Gunn’s film isn’t far removed from that of its misbegotten predecessor, this one actually has the chutzpah (and the creative freedom) to make good on Harley Quinn’s whole “we’re bad guys - it’s what we do” routine. In the brief yet purgatorial history of superhero movies - which once gave us three different Spider-Men in the span of nine years - we’ve never really gotten the chance to watch such wildly divergent takes on the same characters, played by several of the same actors, in the same cinematic universe. Nightmare Film Shoots: 28 of the Most Grueling Films Ever MadeĮmmy Predictions: Outstanding Limited or Anthology Series - Can Hulu Hold Off a 'The White Lotus' Win? New Movies: Release Calendar for July 29, Plus Where to Watch the Latest Films 'Bullet Train' Review: Brad Pitt Even Shines in an Action-Packed Star Vehicle that Goes Nowhere Fast ![]() It must be liberating to make a $150 million (give or take) mulligan for a widely maligned disaster that still managed to gross almost a billion dollars despite becoming a punchline along the way, and that’s really what this unhinged carnival of R-rated cartoon mayhem amounts to at the end of the day: Not a reboot of or a sequel to 2016’s “Suicide Squad,” but rather a second draft. The most fun and least depressing superhero movie in a very long time, Gunn’s deliriously ultra-violent “The Suicide Squad” wears the yoke of its genre with a lightness that allows it to slip loose of the usual restraints, if not quite shake them off altogether.
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